{"id":433,"date":"2020-08-21T08:30:00","date_gmt":"2020-08-21T08:30:00","guid":{"rendered":"http:\/\/taktentradio.com\/?p=433"},"modified":"2020-09-18T08:05:06","modified_gmt":"2020-09-18T08:05:06","slug":"the-rope-factory-5-pure-rockets-2","status":"publish","type":"post","link":"https:\/\/taktentradio.com\/?p=433","title":{"rendered":"The Rope Factory &#8211; Conditions that Exist"},"content":{"rendered":"\n<p>After a short break Neil Dargie returns with The Rope Factory for more musical map making.<\/p>\n\n\n\n<p>This week, we take a look at 70&#8217;s versus modern day free jazz, Ivor Cutler makes a welcome and reassuring appearance and we delve deeper into the Latino scene of 1970&#8217;s New York City.<\/p>\n\n\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2FTak_Tent_Radio%2Fthe-rope-factory-6%2F\" frameborder=\"0\"><\/iframe><\/p>\n\n\n\n<p>1. Captain Beefheart And His Magic Band &#8211; This is the Day&nbsp;<br>Unconditionally Guaranteed&nbsp;<br>(Virgin \/ Mercury, 1974)<\/p>\n\n\n\n<p>2. Mark Pritchard &#8211; Where Do They Go, The Butterflies<br>Under The Sun&nbsp;<br>(Warp, 2016)<\/p>\n\n\n\n<p>3. Ivor Cutler &#8211; Life In A Scotch Sittingroom Vol. 2 Ep. 1<br>Dandruff<br>(Virgin, 1974)<\/p>\n\n\n\n<p>4. Andrew Wasylyk &#8211; Drift<br>Themes for Buildings and Spaces<br>(Tape CLub Records, 2017)<\/p>\n\n\n\n<p>5. Supreme Jubilees &#8211; Do You Believe&nbsp;<br>It&#8217;ll All Be Over&nbsp;<br>(S&amp;K Records, 1979)<br>re released 2015 Light in the Attic&nbsp;<\/p>\n\n\n\n<p>6. Eddie Palmieri &#8211; Condiciones Que Existen&nbsp;<br>Nu Yorica! Culture Clash in New York City: Experiments in Latin Music 1970-77 (Record B)<br>(Soul Jazz Records, 2015)<br>Originally on Sentido (Mango (3), 1973)<\/p>\n\n\n\n<p>7. Archie Shepp Group &#8211; Hypnosis (excerpt)&nbsp;<br>A Sea of Faces&nbsp;<br>(Black Saint Records, 1975)<\/p>\n\n\n\n<p>8. Makaya McCraven &#8211; Untitled<br>In The Moment&nbsp;<br>(International Anthem Recording Company, 2015)<\/p>\n\n\n\n<p>9. Infinito 2017 &#8211; Escapism Abandon Collapse&nbsp;<br>Escapism Abandon Collapse \/ Sonic Vocal Transmission (Maxi Single)<br>(Culture Power45, 2020)<\/p>\n\n\n\n<p>10. Ariel Pink &#8211; Creepshow<br>Worn Copy&nbsp;<br>(Not On Label (Ariel Pink&#8217;s Haunted Graffiti Self-released), 2003)<br>reissued on Mexican Summer 2020.<\/p>\n\n\n\n<p>11. Dosh &#8211; This is When Things Were Looking Up<br>Pure Trash&nbsp;<br>(Anticon, 2004)<\/p>\n\n\n\n<p>12. Galerie Stratique &#8211; Confort&nbsp;<br>Horizzzons&nbsp;<br>(Statik Distribution, 2003)<br>re released Public House Recordings 2019<\/p>\n\n\n\n<p>13. Joe Bataan &#8211; Latin Strut&nbsp;<br>Nu Yorica! Culture Clash in New York City: Experiments in Latin Music 1970-77 (Record A)<br>(Soul Jazz Records, 2015)<\/p>\n\n\n\n<p>14. Sugarhill Gang &#8211; Hot Hot Summer Day (Theo Parrish Re-edit)<br>Ugly Edits Vol. 5<br>(Ugly Edits, 2003)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a short break Neil Dargie returns with The Rope Factory for more musical map making. <\/p>\n<p>This week, we take a look at 70&#8217;s versus modern day free jazz, Ivor Cutler makes a welcome and reassuring appearance and we delve deeper into the Latino scene of 1970&#8217;s New York City.<\/p>\n","protected":false},"author":1,"featured_media":434,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[409,414,63,151,412,415,411,200,416,362,15,9,417,224,413,408,418,410],"class_list":["post-433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trfs","tag-andrew-wasylyk","tag-archie-shepp-group","tag-ariel-pink","tag-beats","tag-captain-beefheart-and-his-magic-band","tag-dosh","tag-eddie-palmieri","tag-electronica","tag-galerie-stratique","tag-infinito-2017","tag-ivor-cutler","tag-jazz","tag-joe-bataan","tag-latin","tag-makaya-mccraven","tag-mark-pritchard","tag-sugarhill-gang","tag-supreme-jubilees"],"_links":{"self":[{"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/posts\/433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/taktentradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=433"}],"version-history":[{"count":10,"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/posts\/433\/revisions"}],"predecessor-version":[{"id":585,"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/posts\/433\/revisions\/585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/taktentradio.com\/index.php?rest_route=\/wp\/v2\/media\/434"}],"wp:attachment":[{"href":"https:\/\/taktentradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/taktentradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/taktentradio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}